Led by: Moksayogin, Sraddhadipa, Jo Spence and Joe Hill
Location: Frog Mill, nr. Throwleigh, Devon
Deposit amount: £50
Total suggested cost (including deposit): £350 donation/ £220 standard/ £155 supported (see our FAQ for an explanation of the deposit/ dana system)
Experience level: Open to all. Young people can come with their parent or guardian if they are interested in full participation in the retreat.
Age group: Adults and young people over the age of 15 (Please get in touch if you want to book a place for a young retreatant as there are some extra layers of requirement for attendence.)
Starting with the premise that vibration is the beginning of all things, this retreat will explore how we might work and play with sound, resonance, vibration and the voice as Dharma practice. Together, we will explore how harmony singing and vocal play can support us to come into deeper relationship with ourselves, each other and the land. How, when we sing, are we responding to the particular place in which we find ourselves? And how does it respond to us? How might singing with a sense of ourselves as vibrating bodies within a landscape support us to feel at home here? And how might singing together help open us to an experience of enchantment, a receptivity to the vibrant aliveness of all things?
As well as voice work, there will be meditation, ritual and periods of silence. We’ll learn beautiful songs in harmony, and we’ll work and play with the voice and sound as explorative practices. All welcome – no singing or meditation experience necessary. All songs will be taught by ear so you don’t need to be able to read music.
Moksayogin (ex Keval Shah) has been practising the Dharma since the age of 16. He works for the Karuna Trust as a Development Project Manager. His name means ‘He who practises for liberation’.
Sraddhadipa… coming soon.
Jo is a singer, musician, voice leader, Mitra and coordinator of the Dharma Parlour at Buddhafield festival. She wrote her Master’s thesis on the experience of enchantment through ritual practice, and is interested in the convergence points between these themes and voice work, her greatest love. She leads a Balkan choir in Totnes.
Joe is the bass leader of Bristol’s Murmuration Choir, and a Mitra who has had the joy of leading songs around the Buddhafield fire for a decade. Inspired by the likes of Helen Yeomans, Nickomo and Susie Ro, his ‘Eros’ can’t be more perfectly articulated than understanding the Dharma through voice and harmony.
Things to note